本文以电影叙事学为切入点,对中国电影中的风景进行解读,旨在厘清风景参与电影叙事的方式、达到的叙事目的和产生的叙事效果。风景在叙事中既有时间性也有空间性,本文仅选择空间的维度,从两个角度进行分析:风景直接影响电影叙事,成为叙事主体,参与叙事进程;风景不直接影响电影叙事,但奠定叙事的情感基调,增强观众的主观能动性。 This article takes movie narratology as the starting point and interprets the scenery in Chinese movies to clarify the way scenery can participate in movie narration, the narrative purpose and the narrative effect produced. Scenery has both temporal and spatial features in the narrative. This article only selects the dimension of space and analyzes it from two perspectives: the landscape directly influences the movie narration, becomes the narrative main body and participates in the narrative process; the scenery does not directly affect the movie narrative but establishes the narrative Emotional tone, enhance the audience’s subjective initiative.