《中国花卉盆景》2002年8期第48～49页的相邻版面,发表了曾宪烨和金励两篇同说雀梅盆景造型的文章。笔者是个马大炮,喜实话实说,特抒拙见如下——曾宪烨能文善画,早已闻名遐迩,尤其是画盆景,更可谓无出其右。但从曾文和其12幅附图看,则请恕笔者斗胆直言:曾先生的一些观点和作法,似乎有悖于植物本身的形态特征和树木盆景的常规育坯方法。曾先生介绍的5幅桩坯实物图片给我的直感是,无论是原形图1,或经先生亲手锯截过的图2、3、4、5或定型的图6都象是未经推敲的产物。因为任何一种树木盆景桩坯骨架定型锯截方法,都必须考虑以后怎样收顶,盘根,如何减少截断面,不留人工迹象,如何抹芽蓄枝?一件树木盆栽艺术造型,成败在于桩坯骨架定型。宛若建筑物,若是框架形象不伦不类,即使装修工艺完美无缺,也照样使人望而生厌。从照图看,在雀梅萌芽抽枝后,未能及时抹芽、控梢、整枝,以至使图8、图9成了“飞蜈蚣”,图10～12成了“四不象”。若任其自然,再不吊枝、曲枝和截梢促成分枝增多,恐难成“气候”。尤其是根盘,尽管雀梅生命力强,易于成活,可它的形成层需要一定的湿度才能生根萌芽。若使切口曝露空气中,任凭风吹雨淋,则必然腐 “Chinese Flower Bonsai” 2002 the eighth page 48 ~ 49 of the adjacent pages, published two articles with the same bird and potted bonsai modeling. The author is a horse cannon, to be honest, especially to express my humble see the following - Zeng Xian Ye Wen Shan paintings, has long been known far and near, especially painting bonsai, can be described as extraordinary. However, from Tseng Wen and his 12 photos, I would like to express my grudgingness: Some of Mr. Tsang’s views and practices seem to run counter to the morphological characteristics of plants and their conventional bonsai methods. Mr. Tsang introduced five pile blank physical picture to my sense of straightness, whether it is the prototype 1, or by his hand-sawing Figure 2,3,4,5 or stereotypes Figure 6 are like unspoken product. Because any kind of bonsai billet skeleton stereotypes sawing method, we must consider how the future top, packing, how to reduce the cross section, leaving no artificial signs, how to wipe buds sticks? A bonsai tree art form, the success or failure is Pile billet stereotypes. Just like buildings, if the image of the framework is neither fish nor fowl, even if the renovation process is perfect, people are still so annoying. According to the photos, after the sprouts were planted, the sprouts, the shoots and the pruning branches were not promptly removed. As a result, Figures 8 and 9 became “fly centipedes”, and Figures 10-12 became “four noises.” If left unchecked, no branches, branches and branches to promote the branches increased fear of becoming a “climate.” In particular, the root disk, although the plum vitality and easy to survive, but its formation requires some humidity in order to take root and bud. If the incision exposure to the air, despite the wind and rain, it is inevitable rot