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作曲家内心潜在音响结构是物化音响结构的基础和框架。这一基础和框架直接为物化音响结构的诞生,提供了“凝炼”后的音响模型。作为作曲家内心潜在音响结构与作为物化方式的音响结构,是一个主体创作的两个阶段,是两个不同类、不同质的转换过程,是内心存在的精神状态与物质存在的物化状态之间的音响转换过程,它构建出主体音响结构的最终结果。作曲家主体潜在音响结构的心理因素,不仅仅局限于某种孤立的心理活动,它往往伴随着知觉、情感、认知、思维、记忆、灵感、情绪等多种心理机制,是一个复杂的心理过程。
The potential acoustic structure of the composer’s heart is the basis and frame of the materialized sound structure. This foundation and framework directly provide the acoustic model after “condensing” for the birth of the materialized sound structure. As the potential acoustic structure of the composer’s heart and the sound structure as the materialized way, it is a two-stage creation of the subject. It is a transition process of two different types and of different qualities. It is the transformation between the mental state and the materialized state of material existence The sound conversion process, it builds the final result of the main sound structure. The psychological factor of the composer’s potential acoustic structure is not limited to some kind of isolated mental activity. It is often accompanied by various psychological mechanisms such as perception, emotion, cognition, thinking, memory, inspiration, emotion and so on. It is a complex psychology process.