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本文将红线女置于法国社会学家布尔迪厄的“艺术场”理论研究中,以“场域”、“资本”、“惯习”三个核心概念作为本文的主要分析工具,探讨红线女及其红派艺术的产生是这个时代艺术场运动的结果。如果说红线女是红腔的生产者,那么新中国这个新时代的艺术场则是将红腔演化为红派艺术的价值存在场和价值实现场。
In this article, I put the red line girl in the study of the theory of “art field ” by the French sociologist Bourdieu, using the three core concepts of “field”, “capital”, “” The main analysis tools to explore the red line girl and its production of the Red School is the result of this era of art movement. If the Red Line Female is the producer of the Red Chamber, then the new Chinese art scene of this new era is the value existence field and the value realization field of red chamber evolving into Red School art.