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美国圣达菲歌剧院在其54年历史中,曾13次演出理查·施特劳斯的作品。但除了1982年比才的《卡门》、托马斯的《迷娘》,以及三部奥芬巴赫的轻歌剧之外,圣达菲歌剧院很少涉足19世纪法国作曲家的作品。而在过去的25个演出季中上演的仅有的三部法国歌剧作品则是较少演出的冷门作品——柏辽兹的《比阿特里斯和本尼迪克》,马斯内的《小天使》(1989年上演)和《灰姑娘》(2006年上演)。随着圣达菲歌剧院第三任总监查尔斯·麦基(CharlesMackay)的到来,过去对法国作品明显的大规模规避的做法得到了很大改变,今年歌剧院演出了奥芬巴赫的《霍夫曼的故事》,还以新版古诺的《浮士德》拉开2010-11演出季的序幕。因此,新版《霍夫曼的故事》或许充满争议,但非常重要、复杂,且带来惊喜连连。
In its 54-year history, the Santa Fe Opera House in the United States performed 13 works by Richard Strauss. But except for the 1982 Beethoven Carmen, Thomas’s Madame, and the three Offenbach operettas, the Santa Fe Opera House seldom touches 19th-century French composers. And the only three French operas staged in the last 25 shows are the less popular ones - Beatrice Benedict and Benedict, Angel “(1989) and” Cinderella “(2006). With the arrival of Charles Mackay, the third director of the Santa Fe Opera House, the apparent mass evasion of French work has changed dramatically in the past. This year Opera House performed Offenbach’s ” Man’s story “, but also with the new version of Cournot’s” Faust “opened the prelude to the 2010-11 season. Therefore, the new version of ”Hoffman’s story" may be controversial, but very important, complex, and bring surprises again and again.