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一 也许是由于《杀夫》和《暗夜》强烈的轰动效应造成了非理性的集体无意识,致使李昂有一组较优秀的“寓言小说”迄今仍未引起读者和评论界应有的重视(起码大陆未见一篇阐释文字),这样强烈的反差,使我油然产生一种探索的冲动。 李昂这组“寓言小说”包括《水仙花症》、《移情》、《三寸灵魂》、《渡》、《三心二意的人》五篇,收集在短篇小说集《一封未寄的情书》辑二中。李昂自云她写《杀夫》和《暗夜》“是使自己朝向一个‘伟大’的作家的道路来努力”。这组寓言小说可以说是李昂朝向一个“伟大”作家目标迈进的理性自觉。如果说《杀夫》和《暗夜》是对人性和文化的批判,那么这组寓言小说则表达了人类生命的悲剧意识和悲剧心理。同时也显示出李昂作为一个优秀作家已具有了全人类的眼光与世界整体的阔大胸襟。
Perhaps this is due to the irrational collective unconsciousness caused by the strong sensational effects of “killing husband” and “dark night”, which has caused Li Ang to have a group of excellent “allegory novels” so far not yet aroused the attention of readers and commentators (at least the mainland No one to explain the text), so strong contrast, so I have a spontaneous impulse to explore. Li Ang this group of “allegory novels” include “narcissus”, “empathy”, “three inches of soul”, “crossing”, “three hearts and two intentions of” five, collected in the short story collection “an unsent love letter” Series two. Li Ang Zi Yun She wrote “Myth” and “Night” “to make my own efforts towards a ’great’ writer.” This group of allegory novels can be said that Li Ang toward a “great” writer goal of rational self-consciousness. If “killing husband” and “dark night” are critiques of human nature and culture, then these fables express the tragic consciousness and tragedy of human life. At the same time, it shows that Li Ang, as a good writer, has the vision of all mankind and the broad mind of the world as a whole.