二胡,是我国具有代表性的擦弦乐器。我国的擦弦乐器,形成要晚于弹拨乐器。《旧唐书·音乐志》云:“轧筝,以竹片润其端而轧之。”宋·陈旸《乐书》中记有另一种擦弦乐器:“奚琴本胡乐也……盖其制,两弦间以竹片轧之。”宋·沈括在其《梦溪笔谈》中所提到的“马尾胡琴”,在形制上与今之胡琴类擦弦乐器更为相近。元、明以来,随着戏剧艺术的日趋繁荣,我国的擦弦乐器在横的方向上有了较大的发展,至清代形成诸多品种。二胡能从一个伴奏乐器的地位跃升到独 Erhu, is a representative of China wipe stringed instruments. China’s wipe stringed instruments, formed later than plucked instruments. “Old Tang Music Records” said: “Roll the zither to the end of the bamboo rolling and rolling.” Song Chen 旸 “Music Book” recorded in another wipe stringed instruments: “Xiqin Ben Hu Yue also ... Covering the system, the two strings between the bamboo rolling. ”Song Shen Kuo in his“ Dream Creek conversation, ”mentioned in the“ pachinko ”, in terms of shape and the current piano clavichord harp class is more similar. Since the Ming and Yuan Dynasties, with the increasingly prosperous drama art, our country’s stringed stringed instruments have enjoyed a great development in the horizontal direction and many varieties have been formed in the Qing Dynasty. The erhu can be jumped from the status of a accompaniment instrument to independence