客观一切有无生命物体之状谓“形”,传统笔墨“人物以形模为先”,开始便提出形象对确立作品的重要,然而,”气韵超乎其表“就不单单说明形逐渐为意识的重要,指出比形更能说明的是透过外表而反映其本质的形象,而这个“气韵”此时便有形象传神光彩。通过神似的“形象”方能达到“得其形”,看到最后“真者,气质俱盛”的形象。传统笔墨提出形象与“气韵”、“神韵”的紧密关系,从静态上升为运动的理解,提出“形似”是对物象生 Objectively speaking, there is no object of life called “shape”, the traditional brushwork of “characters in order to form the first”, put forward at the beginning of the image of the importance of the establishment of works, however, “Rhythm beyond the table” is not just the form gradually Consciousness is important, pointing out that what is more vivid than the shape is the image that reflects its essence through appearance, and this “charm” has vivid images at this moment. Through the god-like “image” can achieve “its shape”, see the last “real person, temperament are Sheng” image. Traditional ink and brush put forward the image and the “charm”, “charm” close relationship, from static to the understanding of movement, put forward “shape” is the image of students