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二○一五年三月二十九日在美国大都会艺术博物馆落幕的“中国书画册页艺术”特展首次聚焦于中国绘画中和阅览者关系最亲近的一种表现形式——册页。此次展览从大都会艺术博物馆永久藏品中精选五十余件(套)艺术品,深入探索了书画册页的特殊质素、悬疑问题以及内在属性[图一]。绘画形式,即一件作品的呈现方式和结构,通常因其过于基础而被忽视。尽管西方学界在中国绘画的早期研究中曾揭示出这一问题的趣味性,但
For the first time, the “Chinese Painting and Calligraphy Album Art Exhibition” ended on March 29, 2015 in the Metropolitan Museum of Art in the United States focused on albums, the most closely related manifestation of Chinese readership. More than 50 works of art are selected from the permanent collections of the Metropolitan Museum of Art. The exhibition explores in depth the special quality of paintings and calligraphies, their suspense and their intrinsic properties. The form of painting, that is, the way in which a piece of work is presented and its structure, is often overlooked because of its over-foundation. Although western scholars have revealed the interestingness of this issue in their early studies of Chinese painting,