艺术是时代通过艺术家的心灵留存在作品中的痕迹,这种痕迹既是艺术家在成长中受时代影响而作出的反应,又受到艺术家成长时代的历史局限。对于和共和国同龄的这一代画家而言,他们成长于20世纪五六十年代,他们的精神底色是英雄主义和理想主义。当中国社会跨入新时期而彰显人本主义精神的时候,他们的精神信仰与文化理念也相应发生了变化。他们一方面奋力追求新时期的这种人文主义精神,因为他们痛恶曾经的政治教条 Art is the trace of the era left by the artist’s mind in the works. This trace is not only the reaction of the artist influenced by the times in its growth, but also the historical limitation of the artist’s growing age. For this generation of painters of the same age as the Republic, they grew up in the 1950s and 1960s and their spiritual background was heroism and idealism. When Chinese society entered a new era and demonstrated the spirit of humanism, their spiritual beliefs and cultural concepts also changed accordingly. On the one hand, they struggled to pursue this humanistic spirit of the new era because they hate the political dogma