生活中有许多偏执使我们产生了诸多的虚妄,对于艺术的认识也更是如此。中国的书画艺术历经了千年的传承与演变,已形成了固定及特有的程式和意义,并逐渐成为封闭性的图式系统。任何人要想从这一整套的形式框框中杀将出来,那就必须打破我们对那套严格的程式规范的崇拜。现实生活呈现给我们的不再是长衫水袖,也更少见故纸堆中原生态的山水景致。那么传统山水中的生活真的还需要我们现代人去描绘去表现吗? There are many paranoid biases in life that give us a lot of falsehoods, and even more so in the arts. After a thousand years of inheritance and evolution, Chinese calligraphy and painting art has formed a fixed and unique program and meaning, and has gradually become a closed system of schemata. Anyone who wants to kill out of this whole set of formalities must break our cult of that strict set of rules. The real life presented to us is no longer gown sleeves, but also less see the original landscape of paper landscapes. So life in the traditional landscape really need us to describe the performance of modern?