我一直以来,创作硬笔书法作品,是以类似“馆阁体”的唐楷面世的,但这种楷书,刚劲有余,柔软不足,怎样才能更臻高境我做了不少尝试,临了很长一段时间的王献之《玉版十三行》王羲之《乐毅论》,努力从魏晋书风中吸取营养,感觉比以前有了较大提高,创作时,作品高古、含蓄了一些,并适当的加入一点儿行书的写法,使作品“动”起来,刚柔并济,效果不错。魏碑书体上承篆、隶,下启楷书,魄力雄强,气 I have been writing calligraphic works of hard-liners for a long time and have come out in the style of Tang Kai, who is similar to the “Pavilion of the Court.” But I have done a lot of attempts in such a regular script, being vigorous, soft and upright. For a long time Wang Xianzhi “Jade version of thirteen” Wang Xizhi “Le Yi theory”, and strive to absorb nutrition from the Wei and Jin style of writing, felt a greater increase than before, the creation of works of ancient, subtle and some Appropriate to add a little line of writing wording, so that work “move ” up, rigid and soft, good results. Weizhen book body Chengzhuan, Li, next Kai Kai script, powerful courage, gas