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继秦汉印和明清流派印之后,新时期篆刻形成了中国篆刻历史上的第三座高峰。传播方式革新是推动新时期篆刻审美风格形成、艺术价值递增的内在力量。本文从展厅、传媒、教学、印社、市场五个维度展开透视,即接受场所从私人书斋走向公共展厅、媒介载体从实体纸张进入虚拟电子、教学方法从师徒授受转为学院培养、印社活动从民间自发变为政府推动、市场运作从悬润鬻艺变作资本狂欢,揭示传播方式革新与新时期篆刻勃兴之间的运作奥秘。
After the Qin and Han Dynasties and the Ming and Qing Dynasties, the seal engraving in the new era formed the third peak in the history of Chinese carving. The innovation of communication mode is the inner force to promote the aesthetic style of carving in the new era and the increasing artistic value. This article from the exhibition hall, media, teaching, printing community, market five perspectives, that is, accept the venue from the private library to the public exhibition hall, media carrier from the physical paper into the virtual electronic teaching methods from the apprentice to college training, Indian society Activities from the private spontaneous into the government to promote the operation of the market from hanging scroll into the capital carnival, revealing the communication mode of innovation and the opening of the new era of prosperity between the mysteries of the operation.