因为中心概念“期待视野”与阿多尔诺的否定性美学的牵连 ,姚斯没能完成接受美学的新文学史规划 ,转向了重新发现的审美经验研究。他用审美经验的双重性作为绝对否定的解毒剂 ,重新解说审美快感 ,并在此基础上界定审美经验的三位一体 ,建构审美认同模式。所有这一切是接受美学解释学主题的深化 Because of the central concept “horizon of expectation” and Adorno’s negative aesthetics, Yao Si failed to complete the planning of the new literary history which accepted aesthetics and turned to the rediscovered aesthetic experience research. He used the duality of aesthetic experience as an absolute negative antidote, reinterpreted aesthetic pleasure, and on this basis, defined the trinity of aesthetic experience to construct the aesthetic approval mode. All of this is the deepening acceptance of the theme of aesthetic hermeneutics