我的山水画创作中,大半是先有了某一特别不能忘的自然境界(从技术上说是章法),而后演成一幅作品。在这演变的过程中,我当然为画面的需要而随缘遇景有所变化,或者竟变得和原来所计划的截然不同。许多朋友批评说,拙作的面目多,几乎没有两张以上布置相同的作品,实际上这是造化给我的恩惠。有时,我为适应画面的某种需要,而不得不修改一贯的习惯和技法,如画树、染山、皴石 In my creation of landscape paintings, most of them have a particular unforgettable natural state (technically speaking) and then become a work of art. Of course, in the course of this evolution, I certainly changed the context of the needs of the picture or changed completely from the original plan. Many friends criticize that there are many myopic writings, and almost no two or more works are arranged in the same way. In fact, this is the blessing given me by good luck. Sometimes, in order to meet some of the needs of the picture, I had to change the usual habits and techniques, such as picturesque trees, dyed mountains,