如何运用电影语言以达到揭示人的命运的创作意图,这是谢晋在他导演的影片中一直苦苦追求的艺术目标。他惯常举意大利新现实主义影片《罗马十一点钟》为例。这是一部以揭示意大利失业妇女悲惨命运为主题的影片。一向勤奋好学的谢晋,曾经认认真真看过十一遍。每遍都边看边作详尽的笔记,不放过每—个细节、每一句对白,尤其重视导演塑造人物的多种手法和调度、配合的技巧。在这部影片中,导演既不用叙述也不用旁白,而仅以一个个失业求职妇女的动作表达出作者的创作意图。比如发生了楼梯坍塌以致伤人的悲剧之后,有一位妇女还痴痴地苦守在原处 How to use the film language in order to achieve the creative intent of revealing the destiny of mankind is the artistic goal Xie Jin has been pursuing in the films he directed. He routinely cited the Italian neorealistic film “Rome at eleven o’clock” as an example. This is a film that explores the tragic fate of Italian unemployed women. Xie Jin, who has always been diligent and studious, has seen it eleven times. Each time you look at the side for a detailed note, not miss every - a detail, every sentence dialogue, with particular attention to the director of the character shaping a variety of techniques and scheduling, with the skills. In this film, the director neither narrates nor does the narration, but only express the writer’s intention of creation with the action of one unemployed job-seeking woman. For example, after a staircase collapses to wound people’s tragedies, a woman journeying to stay in place