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杰出的德国大师保罗·兴德米特(Paul Hindemith 1895——1963)的作品与新维也纳乐派作曲家的创作形成了强烈对照。这首先说明这位作曲家的整个艺术活动的美学倾向性。为艺术而艺术这一概念本身对他来说是荒谬的,为因他的生活与创作的根本立场是艺术为一切人……兴德米特的积极人道主义立场和勋伯格上流社会的思想立场是背道而驰的”本世纪二十年代,兴德米特成了多瑙埃兴根、巴登——巴登、柏林音乐节的著著组织者与活动参加
The work of the distinguished German master Paul Hindemith (1895--1963) contrasts sharply with the creation of the new Viennese music composer. This first illustrates the aesthetic tendencies of the composer’s entire artistic activity. The concept of art for art is absurd for him in itself, and art is for everyone because of his fundamental position in life and creation ... Xing Demit’s active humanitarian standpoint and Schoenberg’s high society thought The position is contrary "In the twenties of the 20th century, Hindemith became the root of the Danube, Baden-Baden, the organizers and activities of the Berlin Music Festival