论文部分内容阅读
新西兰学者詹姆斯·贝蒂((James Beattie)和理查德·布伦(Richard Bullen)此篇《冷战时期中国艺术的软实力》是第34届世界艺术史大会第六分会场“传统与渊源”(Tradition and Origin)的一篇论文。一般采说,每个分会场的主题只是一个宽泛的范畴的题目,代表着一个领域努力的方向,它并不是关于这个组的所有发言内容的集中,从而作为一个整体会议的主题(terms)(概念)的背景解释,成为不同文化、不同历史时期的艺术及艺术史一个方面(aspect)的标志。在分会场中应该讲这个方面的各种问题,发言者之间要有所差异,反映出不同文化背景的观点对同一个问题的有差异的意见,至于具体对于这个问题到底征集到了哪些文章、发言者是如何侧重于哪些要点进行陈述的,则由主席用导论(introduction)采表述,在导论中将各位发言者的总体情况简要她介绍,而这个导论将会在会议之前就发表,也会在论文集中作为章节的导论来发表。第六分会场的主席是单霁翔院长、索菲·麦肯泰尔(Sophie McIntyre)博士和铁铮(青年主席),他们的导沦和议题综述将另行发表。第六分会场与前五个分会场的意义以及后面的若干个分会场的意义构成逻辑关系。这一段实际上在讲,在政治环境之下,艺术如何呈现当时的政治理想——无论是建筑、绘画还是一种对于艺术品的收集和呈现方式,其实都是在特定的政治环境里的呈现,而这种呈现,尤其是在古代,它会把时于政治理想的认同和对于现世问题的针对性用“艺术”的现象呈现出来。因此,我们的专家们并不把艺术品看成一个单独的物体,而看成是一个理念,这个理念里面既包含着作为艺术品的形式,也包含着构成整体艺术状态的清晰的政治理念和特殊的社会条件与社会问题。(朱青生)
New Zealand scholar James Beattie and Richard Bullen wrote “The Soft Power of Chinese Art in the Cold War” is the Sixth Session of the 34th World Art History Conference. “Tradition and Origin” (Tradition and Origin) .Generally speaking, the theme of each sub-venue is only a wide range of topics, represents the direction of efforts in a field, it is not about all the statements of this group focus, As a background explanation of the terms (concepts) of an overall conference, it becomes a symbol of an aspect of art and art history in different cultures and different historical periods. Various issues in this regard should be covered in the sub-conference, There should be differences among speakers, which reflect different opinions of different cultural backgrounds on the same issue. As for what articles are specifically collected on this issue and how the speakers focus on what is the point of presentation, The chairman uses the introduction to describe the presentation. In the introduction, the general situation of the speakers will be briefly introduced. The introduction will be published before the meeting, Will be published in the essay as an introduction to the chapters.The sixth session will be chaired by Dr. Shan Xiang, Dr. Sophie McIntyre and Mr. Tie Zheng (Youth Chair) The summary will be published separately.The sixth sub-venue is in logical relation with the significance of the first five sub-forums and the significance of the following sub-forums, and in fact this section is about how art presented its current political ideal in a political environment Whether it is architecture, painting or a way of collecting and presenting works of art, they are actually presented in a specific political environment. In particular, in ancient times, this kind of presentation would give rise to the identification of political ideals And the pertinence of the issue of the world with the “art” phenomenon, so our experts do not treat the artwork as a separate object, but as a concept, which contains both as a The form of artwork also contains a clear political concept and special social conditions and social issues that make up the overall state of art.