在20世纪早期,抽象绘画伴随着几乎同时涌现的拼贴画、照片蒙太奇、现成品、拾得艺术品~([2])、集成艺术和构成艺术,曾是艺术创造中的一个突破。它与其他一些领域里类似的革新同频共振,这一点已是我们大多数人的共识。然而,同时,抽象绘画也是对绘画性语言的破坏。关于真理和动机的旧秩序消解了(随同消解的当然还有最后一点和这个世界的相似性),而一种焦虑和随意性的新氛围出现了(因 In the early 20th century, abstraction was accompanied by the almost simultaneous appearance of collages, photo montages, ready-mades, and works of art ([2]). Integrating and composing art was a breakthrough in artistic creation. It resonates with similar innovations in other areas and it is a consensus of most of us. However, at the same time, abstract painting is also a devastation of the pictorial language. An old order of truth and motivation has been dissolved (along with the last and the last of this world alike) and a new atmosphere of anxiety and arbitrariness