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很多对当代艺术并不熟悉的普通观众对蒋志的认识,多是源于那件名为《0.7%的盐》的作品。以曾经处在舆论风暴中心的娱乐明星——阿娇(钟欣桐)——作为核心形象,一个在外延意义上无可避免地牵连着从“天使”急转直下向“恶魔”低谷的公共性谈资,同时又能满足着众口铄金的“道德”快感背后,那些彼此心照不宣的网络窥淫癖与性幻想的典型对象。她在镜头前由微笑转向哭泣的表情,被定格成一小段或一系列可以被反复阅读的清
Many of the ordinary audiences unfamiliar with contemporary art know Jiang Zhi mostly from the piece entitled “Salt of 0.7%”. Take the entertainment star Gillian (Gillian Chung) who used to be at the center of public opinion turmoil as a core image, and one that is inextricably linked with the public from the “angel” to the “devil” in the extension sense Sexual capitalism, while at the same time satisfying the “morality” of public opinion, are the typical objects of the network voyeurism and sexual fantasies that each tacitly approbates with each other. Her smile turned to the crying look in front of the camera, which was fixed into a short paragraph or a series of can be read repeatedly