好像没有哪位画家没经历过在感觉与真实之间寻求平衡时的那一份纠结或者说挣扎之美。完全厘清二者之间的关联确实超出了笔者的能力,但是既然命题如此,作为一名画者,最聪明和直接的应对之法即是从自身实践经验入手,尝试对这一命题进行剖析,同时借助大师及先贤的研究成果,以求不在曲解命题真意的路上走得太远。我的绘画基本以写生为手段,因此,我最关心的莫过于画布上的物象有没有达到内心体验到的真实,至于什么是真 No artist seems to have experienced the tangled or struggling beauty of the balance between feeling and reality. To completely clarify the relationship between the two is indeed beyond the author’s ability, but since proposition so, as a painter, the cleverest and direct coping method that is starting from their own practical experience, try to analyze this proposition, at the same time With the research results of masters and sages, we should not go too far on the road to understanding the true meaning of the proposition. My painting is basically based on sketching. Therefore, what I am most concerned about is whether the objects on the canvas have reached the true feelings of the heart, and as to what is true