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影像文化伴随读图时代,拥有广阔的发展空间。摄影人的滋生空前迅猛,大家遵循视觉文化最显著的特征,在创造影像“陌生感”的进程中,当现实的元素一旦被框进画面里来,就必然能产生新的意义,影像元素之间也要发生新的联系,形成新的语境,并铸成新的生命。今天展现在我们面前的《三才》、《吾空》、《依色秋水》等摄影作品,给大家的视觉感悟似乎很熟悉但又很陌生,是真切的一副一副影像元素新关系的组织,新语境的铸成。
With the era of image reading culture, has a broad space for development. Photography people’s breeding unprecedented and rapid, we follow the most significant visual culture features in the creation of the image “strangeness ” in the process, when the reality of the elements once framed into the screen, it will inevitably produce new meaning, image New connections have to take place between the elements, creating new contexts and casting new lives. The visual perception we see before us today is familiar and familiar to all the photography works such as “San Cai”, “Wu Kong” and “Yikuo Qiu Shui”. It is a truly new organization of relations between the elements of the images , The formation of a new context.