上大师课几乎是每个学习演奏的人梦寐以求的,然而不是每一个人都能有这样的机会。柳姗姗这篇上课笔记,让我们对诺特教授的人格及授课方式略见一斑。尤其是文中提到的“在手风琴琴体右上角处垫一个尺寸适宜的木块”,非常新颖,打破了我们国内学琴只在自身技术上找差距的思维定势。能否为我们的手风琴教学提供些有益的借鉴?编者 The Master Class is almost everyone who dreams of learning to play, but not everyone can have such a chance. Liu Shanshan this class notes, let us Knott’s personality and teaching methods a little notice. Especially mentioned in the article “in the upper right corner of the accordion body at the pad a suitable size of the wood”, very new, breaking our domestic piano only in their own technology to find the gap between the mindset. Can we provide some useful lessons for our accordion teaching? Editor