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自古代开始,西方基督教(含天主教)四次传入中国,每一次都激起了中西文化传播交流的浪潮,其中也包括对中国少数民族音乐文化造成的影响和交融。早期,由于《大秦景教三威蒙度赞》在敦煌的发现,有学者认为西洋音乐在唐代就传入中国。元代的蒙古族地区,基督教对宫廷生活产生了重大的影响,那时不仅有关于基督教(聂派或天主教)的仪式、祈祷等活动内容,也同时会有各种宫廷的或民间的音乐歌舞活动伴随。将上世纪90年代末敦煌出土文物中包含的叙利亚语景教文书与曾流传于东叙利亚地区的景教研究著作《东叙利亚人的每日祷告》加以对比考证之后,从中能够显露出某些关于景教仪式音乐的信息。
Since ancient times, Western Christianity (including Catholicism) has been introduced to China four times, each provoking a wave of exchanges between Chinese and Western cultures, including the influence and blending of the Chinese minority music culture. In the early days, due to the discovery of Dunhuang in Sanwei, King of Qin, Buddhists believed that western music was introduced to China in the Tang Dynasty. In the Mongolian area of the Yuan Dynasty, Christianity had a significant impact on the life of the court. At that time, there were not only ceremonies, prayers and other activities related to Christianity (Niepai or Catholicism) but also various court or folk music and song and dance Activities accompanied. After contrasting the Syrian Nestorian instruments contained in Dunhuang unearthed relics in the late 90s with the daily prayer of East Asians, the Nestorian scholar who had been circulating in Eastern Syria, from which we can reveal some relevant Scenery ritual music information.