假设没有诗人朱朱的评论,徐累绘画中的中与西、古与今、色与空、内与外、上与下、轻与重、屏风与地图、青花与马匹,也依然能够提供给观者足够的文学想象空间,当然这些空间里不乏诗意、剧情甚至历史。视觉是一个线索,工笔是一座叙事的桥梁,通过这些,我们可以了解到,徐累融合传统美学与当代意识所建立起来的个人图谱。正如徐累所言,他是在做融合的工作。从传统文化中最具精致化和颓废化倾向的江南,到正在发 Assuming no comment from poet Zhu Zhu, Xu and Tse-tung in ancient and modern painting, color and space, interior and exterior, upper and lower, light and heavy, screens and maps, blue-and-white and horses are still able to provide There are plenty of literary imagination in the audience. Of course, there is no shortage of poetic, dramatic or historical stories in these spaces. Visual is a clue. Meticulous writing is a bridge of narration. Through these we can understand that Xu tired integrates the personal map established by traditional aesthetics and contemporary consciousness. As Xu tired said, he is doing fusion work. From the most exquisite and decadent tendency in traditional culture, Jiangnan is going on