我们总是在某些辩论场合巧遇,这可以回溯到关于“绘画-绘画”辩论年代。比如1976年在米罗绘画基金会(Miro Foundation Pintural)的辩论动态小组中,他当时是一个展览艺术家,而我是一个演讲者。那时我们确实有一些共同的朋友,比如 Victoria·Comballa,Rosa Queralt 加纳利岛诗人 Andres Sanchez Robayna,当年,所有这些人都是他的作品的阐释者。他跟画廊合作,当时我一直密切关注这家画廊的作品,比如现已过世的 Ciento 的作品,对他我有许多愉快的记忆,他与马德里(Madrid) We have always come across some debates where we can go back to the age of debates about the “painting-drawing” debate. For example, in 1976, at the Miro Foundation Pintural debate group, he was an exhibition artist and I was a speaker. We did have some common friends at the time, such as Victoria Comballa, Andres Sanchez Robayna, Canary Island poet Rosa Queralt, all of whom were interpreters of his work. He worked with galleries, and I was closely watching the gallery’s work, such as the now deceased Ciento’s work, which I have a lot of happy memories, he and Madrid (Madrid)