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大土三阳(李晓辉),一个迄今为止几乎无人知晓的画家名号,他以自己已有的实力证明:他将是当代中国画坛上值得重视的一位国画大家。他没有累积起声名,这既不是他的水平问题,也不是公众和美术界对他的有意忽略,而是他自己执意走默默耕耘之路的结果。20余年来,他潜心治学,探索中国山水画艺术,避开了一切新闻传媒的视域,不参加任何绘画比赛或展览,从未向朋友、画商、出版商、评论界展示过自己的作品,可谓淡然应对名利场。如今,他的艺术风格已步入成熟,创造力喷涌,累积了一批具有大家气象的艺术作品。他对艺术的不懈探求,尤其是对中国画笔墨精神的把握,当代画家中能望其
Dadi Sanyang (Li Xiaohui), a painter almost unknown to date, has proved by his own strength that he will be a Chinese artist who deserves our attention in contemporary Chinese painting circles. He did not accumulate his fame, which was neither his level issue nor the deliberate neglect of him by the public and the fine arts, but rather the result of his own determination to follow the path of quiet hard work. For more than 20 years, he has devoted himself to studying, exploring the art of Chinese landscape painting, avoiding all the news media’s sight, not participating in any painting competition or exhibition, and never showing his work to friends, artists, publishers and critics, Deal with Vanity Fair. Nowadays, his artistic style has matured, his creativity has spewed, and he has accumulated a number of works of art with everybody’s imagination. His untiring exploration of art, especially the grasp of the spirit of Chinese painting and calligraphy, contemporary painters can hope it