当年,《纽约时报》影评人曾对早期的香港功夫片有过如此的评价:“尽皆过火,尽是癫狂”。或许,当时的这句话并非出于对香港电影的一种褒奖,但是如今看来,早期香港电影中的张狂与纵乐,作品中所包含的独具匠心的创意却成为香港电影的一个荣誉标志。其实,这句话也同样适用于现在杜琪峰所执导的这部《盲探》。相信很多观众会喜欢《盲探》,正是因为其癫狂。然而,或许也正是由于其过火,有些观众可能会无法接受。 That year, “New York Times” film critics had earlier Hong Kong Kung Fu films have such a comment: “all over fire, all mad ”. Perhaps the phrase was not a tribute to Hong Kong films at the time, but now it seems that the ingenuity and creativity contained in the early Hong Kong films have become an honor mark for Hong Kong films. In fact, this sentence also applies to the “blind probe” directed by Johnnie To. I believe many viewers will like “blind exploration”, precisely because of its madness. However, perhaps it is also precisely because of its over-exposure, some viewers may not be acceptable.