近闻画友冯远于工作教学之余多多读书,撰写了多篇中国画研究的论文;又因为某家出版社作诗意画而对中国古典文学、诗词愈加迷好,去岁以来陆续创作了诗意画廿余幅。余有幸先睹为快,览之颇觉其在作品的诗化表现、工写兼融和用色方面多有独出机杼,与众不同之处,兹录读画随感一二如下。在东西方文学艺术发展的历史中,诗与画的结合似乎像一对孪生姊妹,早已密不可分。尽管自18世纪德国美学家莱莘在《拉奥孔》中 Nearly Wenyou friend Feng Yuan far more than teaching while studying, writing a number of articles on Chinese painting research; and because a publishing house for the poetic painting of Chinese classical literature, poetry more and more charming, since the age of successive creation of poetic Draw more than twenty pieces. I am fortunate enough to give a preview, I found it quite poetic performance in the works, writing, writing, and color aspects of more than a machine, out of the ordinary, it is recorded with a sense of eleven below. In the history of the development of Eastern and Western literature and art, the combination of poetry and painting seems to be like a twin sisters, which have long been inseparable. Although since the 18th century German esthetician Laixin was in Laocoon