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正值秋高气爽,百花争妍的季节,记者来到江苏常州,专程采访江苏省书法家协会原副主席阙长山先生。按响“近水居”朱红大门的门铃,迎接我的是一位精神矍烁的长者,不用问,他就是德高望重的阙长山先生。先生将我迎进三楼,淡雅而又宁静的工作室里,挂满了各式的书法作品,有巨幅八屏条的,有六尺整张一个字的,也有小幅作品,洋溢着艺术的气息。正夸赞时,阙先生端上一杯明前茶,面带笑容地说:这都是不成熟的习作,请多批评。于是我们之间的话题就从这里开始。
At a time when autumn and cool, the season of flowers Zheng Yan, the reporter went to Changzhou, Jiangsu, made a special interview with Mr. Chang Changshan, former vice chairman of Jiangsu Calligraphers Association. Pressing the doorbell of the door of “Zhu water door” near the water’s edge and welcoming me is an elderly person with spirited spirit. Without question, he is a highly respected member of Mr. Que Changshan. Mr. welcome me into the third floor, elegant and quiet studio, covered with all kinds of calligraphy, a huge eight-screen, six-foot whole word, but also a small work, filled with art The breath Is praising, Mr. Que end of a cup of bright tea, with a smile: This is an immature exercise, please criticize more. So the conversation between us starts from here.