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中国古代戏曲文化积淀了当时人类对原始歌舞、正史野乘、传奇小说的诸多抽象玄思,将辗转多变的时代递嬗、艰涩复杂的人文教化、惩恶扬善的道德观念、崇尚美善的理想冀望表现得深入人心。古代戏曲既正言礼乐文化的忠孝节烈,亦俗话人间世情的痴醉迷离,赋予古迹斑斑的中国古代传统文化以新奇诡异的多重面具,生动再现了虚境幻界中的世俗万象。文章通过梳理中国戏曲文化发展历经的巫礼、周礼、俗礼三个阶段,进而分析探讨其心理建构,希望能重新审视中国传统文化中的写意情景。
Ancient Chinese opera culture has accumulated the humanity to the original song and dance, the history of wild boarder, a lot of abstract fiction novel metaphysics, will be changing the era of evolution, arduous and complex humanistic education, punishing evil and promoting good moral values, advocating beauty The ideal of hope is manifested deeply rooted in the hearts of the people. Ancient drama is not only the ritual and ritual culture of loyalty and filial piety, but also the folklore world of love and obsession blurred, giving the ancient Chinese traditional culture with a strange and strange multi-faceted mask, a vivid reproduction of the illusion of worldly world. By combing the three phases of Wulle, Zhouli and Lao Li, the development of Chinese opera culture, the article analyzes and discusses its psychological construction in the hope of revisiting the freehand scene in Chinese traditional culture.