论文部分内容阅读
一九四二年秋,剧作家、戏曲教育家樊粹庭先生在西安招收贫苦儿童三十多名,聘请毕业于富连成班的京剧演员韩盛岫先生和豫剧老艺人张全贵先生任教练,办起了狮吼儿童剧团。当时因资金匮乏,樊先生将自己的衣物几乎卖尽。他和学员一起住在北关难民窟几间破草房里,睡地铺,吃杂面,生活十分艰苦。训练场地是一座不遮风雨的破席棚,练功用具也极其简陋。用旧帆布片儿缝成袋子装些麦秸就是练“跟斗”的毯子,练“把子功”用的是长短木棍……就在这样困难的物质条件下,经过千年多的紧张训练,学员们就达到了能坚持长年演出的程度。此后就一边
In the autumn of 1942, Fan Queting, a dramatist and drama educator, recruited over 30 poor children in Xi’an and hired Han Sheng-xiu, a Beijing actor who graduated from Fu Lian class, and Zhang Quangui, a veteran opera performer, Children’s Theater. At that time, due to lack of funds, Mr. Fan almost sold out his clothes. He lives with trainees in several shabby houses in the North Pass refugee shelter, sleeps on the ground floor, eats miscellaneous noodles, and lives are extremely difficult. Training venue is a shelter not shelter, exercise equipment is also extremely simple. Sewing old canvas pieces into bags to pack some wheat straw is a blanket to practice “tug of war”, and the length of the stick is used to practice “stardard work.” Under these difficult material conditions, after more than a thousand years of intense training, students They have reached the level of performance can be maintained for many years. After one side