中国戏曲,历史悠久,在群众中有深厚的根基,再加之传统剧目繁多,深受观众欢迎。但是,这些年若问一些青年观众,一定会出现这样的对答:“看戏吗?”“不看!”“为啥?”“节奏太慢,重重复复,哼哼唧唧,没意思。”这就是现实,无可辩驳的事实。戏曲,抑或其他文艺种类,若脱离了年轻观众。必然观赏者寡,不仅“发展”成了问题,而且一定会出现“危机”。近年来,各界纷纷议论的“危 Chinese opera has a long history, a profound foundation among the masses, and a great variety of traditional plays, which have been well received by the audience. However, if you ask a few young audiences in these years, you will surely get such a reply: ”Do you want to watch the movie?“ ”Do not watch!“ ”Why?“ ”The rhythm is too slow, Hum, boring, boring. “This is the reality, irrefutable fact. Opera, or other literary genres, if from the young audience. Inevitable spectators, not only ”development “ has become a problem, but there will be ”crisis “. In recent years, all sectors have been talking about ”danger