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全国发现的唐墓壁画墓共计百余座,其中以陕西关中最为集中,数量也最多,共有壁画墓86座~([1])。人们对唐墓壁画的性质、形式、内容、分期以及所用颜料和制作技法进行了有益的探讨,获得了多方面的丰硕成果。作为一种特殊的文化遗迹,唐墓壁画的内涵无疑是极为丰富的,其研究价值也是多层面的。但作为考古学标本,在多大程度上可视为可信的史料,却大打折扣,至今人们对此见仁见智。笔者以为,将其作为反映唐代社会生活与风尚的考古学资料的价值则尤为明显。
There are over 100 mural tombs of Tang tombs found throughout the country, of which there are 86 mural tombs, the most concentrated and the largest in Guanzhong, Shaanxi province (~ 1). People conducted a useful discussion on the nature, form, contents, staging, and the pigments and techniques used in the tomb paintings of tombs and obtained many achievements. As a special cultural relic, the connotation of the tomb murals is undoubtedly extremely rich, and its research value is also multi-level. However, as archaeological specimens, to what extent can be regarded as credible historical data, but greatly reduced, so far the people have different opinions. In my opinion, the value of archeology as a reflection of social life and style in the Tang Dynasty is particularly evident.