“酒为翰墨胆,力可夺三军”。这是清代唐晏《饮酒》诗中的两句,巧妙地点出了酒与书画间的微妙关系。纵观古今著名书画者,大多喜爱杯中物。而酒在某些人的艺术生涯中确实起着至关重要作用。有些人甚至到了无酒不能书,无酒不能画的程度。唐代著名书法家张旭(字伯髙)就是典型的善书而又嗜酒者。他的草书逸势奇状,连绵回绕,有“草圣”之誉,与李白诗歌,裴旻舞剑并誉为当时“三绝”。张旭作书离不开酒,常常醉后狂叫奔走而书,而且落笔如神,被人称作“张 ”Wine for the Han Mo gall, force can snatch the three armies.“ This is two of Tang Yin’s ”drinking“ poems of the Qing Dynasty, which cleverly point out the subtle relationship between wine and painting. Throughout ancient and modern famous calligraphy and painting, most like cup objects. And wine does play a crucial role in the artistic career of some people. Some people even went to the point where no wine can not be booked and no wine can not be painted. Zhang Xu, a famous calligrapher in the Tang Dynasty, was a typical good book and an alcoholic. His absurd cursive landscape, rolling back and forth, there is ”grass “ reputation, and Li Bai poetry, Pei Min dance sword and hailed as . Zhang Xu is inseparable from the book for the book, often drunk after running wild and book, but also pen like a god, was called ”Zhang