马克思主义反映论原理一直是我们指导文艺实践的根本原则和认识文艺现象的理论武器。随着文艺实践的发展,坚持和完善这一原理显得更加重要了。 我觉得文艺理论领域存在两种错误倾向:其一,形而上学地理解和坚持马克思主义反映论,表现为机械唯物论和庸俗社会学;其二,有些同志批判机械唯物论和庸俗社会学的同时,又一定程度上滑向了唯意志论和唯心主义。他们自觉不自觉地把马克思主义反映论当作机械唯物论和庸 The principle of Marxist theory of reaction has always been the theoretical weapon for us to guide the fundamental principles of literary and artistic practice and to recognize literary and art phenomena. With the development of literary and artistic practice, it is even more important to uphold and perfect this principle. I think there are two erroneous tendencies in the field of literary theory: first, metaphysics understands and upholds Marxist theory of reflection, which manifests itself as mechanical materialism and vulgar sociology; secondly, while some comrades criticize mechanical materialism and vulgar sociology, To some extent slid to voluntarism and idealism. They consciously or unconsciously regard Marxist theory of reflection as mechanical materialism and mediocrity