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2008年10月问鼎诺贝尔文学奖之后,勒克莱齐奥可能已经不再是一个陌生的名字。人们开始对这位在法国当代文学界占有举足轻重的位置、并且早在几十年前就陆陆续续被翻译到世界各地的作家产生了极大的兴趣。然而,在相当一部分读者看来,他的获奖或许仍然属于诺贝尔奖喜欢“冷门”的怪癖表现,瑞典皇家科学院的颁奖词——“擅长表现断裂、诗意的遭遇和感官的迷醉”也停留在令人无从感触的抽象层面。本文试图从勒克莱齐奥作品整体的内在统一性、主题和叙事风格三个层面论述勒克莱齐奥的作品价值,指出勒克莱齐奥是一位世界性的作家。
After getting the Nobel Prize for Literature in October 2008, Leclazio may no longer be a stranger. People began to play a pivotal role in this contemporary French literary world and were greatly interested in writers who were translated into the world several decades ago. However, to a considerable part of readers, his award may still belong to the quirky performance of the Nobel Prize-like fanfare, and the Royal Swedish Academy of Sciences’s award letter - “excels at representing fractures, poetic encounters and sensual perplexity. ”It also stays at a level of absurdity that can not be touched. This article tries to discuss the value of the work of Leclazio from the three aspects of the internal unity, the theme and the narrative style of the whole work of Leclazio, pointing out that Leclazio is a worldwide writer.