万玛才旦作为藏族母语电影的擎旗人,其四部作品形成了独具特色的藏族族群文化影像叙事序列,并表现出明显的族群文化单边叙事特征,即把本族群想象虚构成为一个生存在“本土”的相对封闭、自足的文化共同体,这种以族群文化“代言人”的身份进行的单一的族群书写,是文化民族主义“象征化”的话语诉求。 As the hometown of Tibetan native language films, Wanma Caidan formed four distinct narrative sequences of cultural images of Tibetan ethnic groups and demonstrated the obvious unilateral narrative features of ethnic cultures, that is, made the imaginary imagination of this group into a living In a relatively closed and self-contained cultural community in the “native land”, this single ethnographic writing in the identity of ethnic culture “spokesperson ” is the discourse appeal of cultural nationalism “symbolism ”.