就生态思想而言,大多数文艺复兴时期的英国诗人秉承了“人是万物尺度”这一有人类中心主义倾向的概念,但约翰.邓恩在诗歌中呈现出的却是对人和万物之间关系的重新审视。他的诗歌神学与自然哲学交错,运用意象上至天体、月亮、流星,下至花草、跳蚤、飞蛾,千姿百态、千差万别,但却总能独一无二、恰到好处,表面上玄奥艰涩,实质却和谐交融。 In the case of ecological thinking, most Renaissance British poets embraced the anthropocentric notion that “man is a measure of all things,” but John Dunn presents in his poems the concept of " Reconsideration of the Relationship Between All Things. His poetic theology and natural philosophy staggered, the use of the image from the celestial bodies, the moon, the meteor, down to the flowers, fleas, moths, in different poses and with different kinds, but different, but always unique, just right, seemingly mysterious Austrian mystery, but the essence of harmonious blend.