对剧目标准这一个问题,我过去是很不明确的.我对戏曲的教育意义的理解是狭隘的,片面的.有许多自己很心爱的戏,观众一向很欢迎的戏,我都早巳“自觉”地停演了.近几年来,我所演唱的传统剧目,演来演去只剩下了“辕门斩子”、“哭祖庙”、“捉放曹”等极少数的几个;而且在演 I used to be very ambiguous about the standard of the play, and my understanding of the educational significance of the opera is narrow and one-sided. There are many very favorite opera, the audience has always welcomed the show, I have long been In recent years, I have sung the traditional repertoire, played to play only to the rest of the “Regret”, “crying ancestral temple”, "Cao Cao release A few other very few; and in speech