自1963年坂本球以一曲《日式火锅》荣登美国流行乐排行榜榜首以来,众多日本歌手竞相跨出国门,以在国际乐坛占上一席之地。1979年,擅唱迪斯科乐的二重唱组“粉红色女士”的歌曲《黑夜之吻》挤进美国最佳40首歌曲排行榜的末尾,但也只是昙花一现,很快被人遗忘。可以说,日本歌手挤进美国排行榜,与其说是靠其实力,还不如说是他们的标新立异,使喜欢调调口味的西方乐坛突然对来自扶桑的歌手有所关注。有一点可以肯定.真正代表日本流行乐坛主 Since 1963, Sakamoto ball to a “Japanese hot pot” topped the list of American pop charts, many Japanese singers competing across the country in order to occupy a place in the international music scene. In 1979, the duet of “Pink Lady”, a disco-disco duet singing disco crowded into the bottom of America’s Top 40 charts, was only short-lived and quickly forgotten. It can be said that the Japanese singers squeeze into the US charts, not so much by their strength, not so much as their maverick, so like to adjust the taste of the Western music suddenly come to attention from the singer from the hibiscus. One thing is for sure. Real representative of Japanese pop music master