诗歌于我,是主观的情感多于客观的现实,就好比一幅画,我更喜欢用审美的自我感知而非构图的比例及细节的描补去勾勒,它在形之上又在形之外产生,这样会有更大的自由空间,即使是最简单的一个枝节也可以衍生许多的想象。所以语言和句式的生成,先是情感的这根线牵引而出,到具象到准确表达,再到喜悦的升华。我始终认为,每一首诗歌的生成都应该是喜悦的,不论是悲伤、无奈、快乐抑或其他任何一种基调, Poetry in me is more subjective than objective reality, like a painting, and I prefer to use the aesthetic self-perception rather than the proportion of composition and the details of the delineation to outline it in shape and shape Outside, there will be more free space, even the simplest branch can derive a lot of imagination. Therefore, the formation of language and sentence, the first line of emotion traction, to a concrete image to accurate expression, to the sublimation of joy. I have always believed that the generation of every poem should be joyful, be it sadness, helplessness, happiness, or any other kind of tone,