尼克松访华后,中国政府有意选派代表民间文化的杂技团回访美国。一位杂技演员却在纽约被神秘掳走,最终他依靠杂技技巧从狭小空间脱身……如同断了线的风筝,他只身伫立在俗气十足的曼哈顿街头.以其视角打量着70年代初的美国……李尤松围绕“1972年的曼哈顿杂技团”创作的这组新作就如同这个虚构故事的前传、正片和续集中的关键片段,并与具有时代特征的资料相互交织——在他这里 After Nixon visited China, the Chinese government intends to send an acrobatic delegation representing the folk culture to visit the United States. An acrobatic who was mysteriously kidnapped in New York City and eventually relied on acrobatic tricks to get out of the confines ... As a broken kite, he stood alone on the cheesy streets of Manhattan, looking at the United States in the early 1970s ... Li Yusong’s new work around “The Manhattan Acrobatic Troupe of 1972” is a key piece of the prequel, positives and sequels to this fictional story and is intertwined with the characteristics of the times - in his place