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继承传统,包括继承流派艺术,主要是继承其精髓,而不能局限于模仿与照搬,这已是早为人知的普通道理。但时至今日,还是有不少人把传统当成死模子套这套那,让人哭笑不得。最近看到一篇小文.对叶少兰演《柳荫记》的梁山伯戴的文生巾上挂繐子进行非难,就是一例。对人家的演出,不是不能提意见,但总得有个道理,比如文生巾上挂繐子的问题,如果你能从舞台造型,或者人物性格的塑造上进行分析,讲出个可要或不可要的道理,那也未尝不可。可是这篇小文偏偏不是谈这些,而是以前人没有过的唯一的理由,轻率地
Inheriting traditions, including inheriting genre art, mainly inherits its essence and can not be confined to imitation and copying is already a very common general principle. However, up to now, there are still many people who regard tradition as a set of molds that make people dumbfounded. I recently read a small essay on the case of Ye Shanshan wearing “Liu Yin” in Yeh Shah-wen’s paper towel hanging on the paper towel. This is an example. If you can analyze the stage modeling or the character’s shaping, you can tell whether it is possible or not. The truth, that is not a bad idea. However, this small article is not talking about these things, but the only reason people have not seen before