本文以桑塔格的“营地”旨趣为核心,深入阐发她对艺术的情色呼唤以及对法西斯主义美学的迷恋,进而指出,她以性幻想为驱动力,形成了自己独特的艺术思想。作者认为,桑塔格对雌雄同体的倡导,在艺术实践中刻意营造“三人组”形象,旨在展现人类焦虑而紧张的性妄想,这既是艺术的书写,同时也是政治的书写。 Taking the purpose of Sontag’s “camp” as the core, this essay expounds her erotic appeal to art and her obsession with fascist aesthetics. Furthermore, she points out that she has formed her own unique artistic thought driven by sexual fantasy. The author believes that Sontag’s advocacy of hermaphroditism has deliberately created the image of “trio” in artistic practice in order to show the anxiety and tension of mankind, which is both art writing and political writing.