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我一直坚持使用胶片相机进行创作,但也不反对和排斥数码,2009年《中国游牧蒙古人》三个系列的作品发布后,我在努力寻找自己下一套作品的方向,摄影师需要持久性地向前努力,不能让一套成功的作品变成摄影生涯的句号。对于我坚持使用胶片相机这件事,很多人问我,胶片是否是纪实摄影的最佳记录方式,其实这样说并不正确,纪实摄影并非要与胶片画上等号,用数码也罢、胶片也罢,如果想在创作上有所成绩,必须要用功、要用心、要一心一意。我很反感“玩”这个词,一个摄影
I’ve always insisted on using film cameras for creation, but I have no objection to and exclusion of digital. After releasing the three series of works entitled “Chinese Nomadic Mongolians” in 2009, I was struggling to find the direction of my next set of works. Photographers needed persistence To work hard, can not make a success of the work into a period of photography career. Many people have asked me if film is the best record for documentary photography. In fact, it is not correct to say so. Documentary photography does not have to be equated with the filming. If you want to make some achievements in the creative work, you must work hard, be careful, and be one-size-fits-all. I am disgusted with “play ” the word, a photography