我想,大凡认为“女性主义”是一个引进话题的人,只要看了陈子君的绘画后都会改变自己的看法,他们不得不承认“女性绘画”确实已成为中国当代艺术研究的一个重要课题。这样说并不完全因为她的画同时洋溢着青春女性的奔放热情并闪耀着成熟女性的智性光芒,而是因为她的作品充分显示了所谓“后女性主义者”通常都具有的积极的女性特质,即她们所拥有的,能从各种不同 I think most people think that “feminism” is a topic introduction person who can change his opinion whenever he looks at Chen Zijun’s paintings. They have to admit that “female painting” has indeed become a study of Chinese contemporary art important topic. This is not entirely true because her paintings are full of the youthful enthusiasm of the young women and shine with the intellectual light of mature women, but because her works fully demonstrate the positive usually possessed by so-called “post-feminists” The femininity of women, that is, what they have, can vary from one to another