看过西安电影制片厂摄制的新片《默默的小里河》,我真正产生了那种少有的激动。似乎只有在看法国得奖影片《老枪》时才有过那种激动。然而《默》片则比《老枪》要深刻多了。《默》片为我们塑造了一些栩栩如生、真实可信的人物,叙述和展示了他们在战争进程中合乎逻辑的历史上强弱地位的变化。和《老枪》一样,也是再现了一场力量悬殊的以弱胜强的战斗,但《老枪》则明显地带有个人复仇的色彩,尽管有反法西斯的性质,但从医生来讲却在更大程度上是由于失去了赖以苟活的一切幻想,才抱着和敌人同归于尽的决心去周旋的。而《默》片则有着更加丰富的内涵,它从一个极其普通而更具有典型性的人物的心理变化和性格矛盾冲突及其相互关联与斗争的过程,以小见大,为我们揭示了一个历史时期的重大事件的深蕴。影片的时代背景 Watched the film production in Xi’an Film Studio “quiet Little River”, I really had that kind of rare excitement. It seems that only had the excitement when it came to the French winning film “The Old Gun.” However, the “silent” film is more profound than the “old gun”. The “silent” film has created some lifelike and authentic figures for us, narrating and demonstrating their changes in history that are logical and logical in the course of the war. Like the “old guns”, it is a reproduction of a weak-strength battle with disproportionate strength. However, the “old guns” clearly show personal vengeance in spite of anti-fascist nature, but doctors are concerned To a large extent, it is due to the loss of all the illusions that they have to survive. The “silent” film has a richer connotation. From the psychological changes and character conflicts of an extremely ordinary and more typical person, and their interrelatedness and struggle, they reveal a The historical events of the deep Yun. The background of the movie