“马派”是京剧老生的重要流派之一,在京剧发展中占有非常重的地位。本文从“马派”的艺术地位、“马派”的美学特征、“马派”的创新发展三个层面,对“马派”进行了粗浅的探究。对于“马派”的继承与发展,提供一些理论思辨与艺术实践的双重参照系。 “Ma Fang ” is one of the important genres of Peking Opera, occupying a very important position in the development of Peking opera. In this paper, we make a thorough study of the “Ma Fang” from three aspects: the artistic status of the “Ma Fang”, the aesthetic features of the “Ma Fang”, and the innovation and development of the “Ma Pai”. For the succession and development of the “horse school”, it provides some double reference systems for theoretical speculation and artistic practice.