弁言 建筑为人所造,供人所用。人们建造的是自己所需的空间,这就是建筑的最主要的目的;可是在古代,无论是中国还是外国,却往往把这个最主要的目的疏忽,而更多地关注和加工建筑的外壳。无论是古希腊、古罗马、中世纪,乃至文艺复兴以及许多古典的建筑;中国古代的许多宫殿、庙宇、寺院、住宅等等,其建筑内部的空间本身都不甚重视,或者说不太讲究人的物质活动需求。无论室内还是室外,多致力于建筑的实体形象。文艺复兴的许多建筑,强调人文主义,却也更多地注意其实体部分如何“表意”,强调的是建筑的实体形象的“语义”。这就是所谓一往偏至,鲜得本原。 建筑为人所造,供人所用。直到上个世纪下半叶,随着整个社会的结构性的变革,人们才逐渐回过头来对建筑的主要目的,即空间方面有所重视。这种建筑观点的根本性的转变,其划时代性可以说胜过文艺复兴。建筑空间如何更符合人的需要,也就 Rumors Buildings are built for human use. People build the space they need. This is the main purpose of the building. However, in ancient times, both China and foreign countries often neglected this most important purpose and paid more attention to and processed the outer shell of the building. Regardless of ancient Greece, ancient Rome, the Middle Ages, even the Renaissance and many classical buildings; many ancient Chinese palaces, temples, monasteries, houses, etc., the space inside the building itself is not valued, or less concerned about people The demand for material activities. Whether it is indoors or outdoors, it focuses on the physical image of the building. Many architectures of the Renaissance, emphasizing humanism, pay more attention to how the “entity” of the entity part is emphasized, and emphasize the “semantics” of the physical image of the building. This is the so-called one-way approach. The building is made by man and used by people. Until the second half of the last century, with the structural changes in the entire society, people gradually came back to pay attention to the main purpose of architecture, that is, space. This fundamental change in the architectural perspective can be said to be more epoch-making than the Renaissance. How does the architectural space better meet the needs of people,